Writing about music, both publicly and privately, has become a huge part of my artistic identity. I love thinking about what it means to do what we do, and the communities that emerge as a result. And, I like trying to articulate why I do or don’t like different pieces of music, because I think it’s important (and fun).
I’ve contributed to The Road to Sound, icareifyoulisten, and Sound American, and have written other one-off pieces, which you can find links to below. For press about me, visit my press page. Neither of those are my blog—which you can find here.
Favorite reads in 2020, featured on The Road to Sound
“An Introductory Guide to Experimental Voice” on The Road to Sound
Sound American 23 is out, including my article with inti figgis-vizueta where we chat about listening and institutions, our thoughts about the sounds we’re making, and each other’s music.
Review of Louisiana Laptop Orchestra’s “Concert of Telepresence”
5Q with Nicole Rampersaud at icareifyoulisten
Review of New Music Dublin 2019 at icareifyoulisten
Dispatches from New Music On the Point 2018 at the Sybaritic Singer
Review of the Resonant Bodies compilation on The Road to Sound
Review of The Blue of Distance by Elori Saxl on The Road to Sound
Review of Ghost Layers by Scott Miller at the Sybaritic Singer
Review of The Reinvention of Romance by Sarah Hennies on The Road to Sound
Review of Crashlands by Crash Ensemble on RTÉ Culture
Review of Amanda Gookin’s Forward Music Project 1.0 at icareifyoulisten
Review of And That One Too by Sandbox Percussion at icareifyoulisten
Review of Music from SEAMUS, vol 28 at icareifyoulisten
Review of The Exotica Album by Øyvind Torvund at icareifyoulisten
Review of Ljova’s SoLò Ópus at icareifyoulisten
Review of Gelsey Bell’s This Is Not a Land of Kings EP at icareifyoulisten
Review of Alchymie & Gregg Skloff’s The Oort Cloud at icareifyoulisten
Review of Dolce Suono Trio’s American Canvas at icareifyoulisten
Review of Conrad Winslow’s The Perfect Nothing Catalog at icareifyoulisten